Clients With Osteoporosis Questionnaire Health And Social Care Essay

Analysis of informations is a procedure of inspecting, cleansing, transforming, and patterning informations with the end of foregrounding utile information, proposing decisions, and back uping determination devising. This chapter deals with the analysis and reading of informations collected from 30 samples on clients with Osteoporosis at Melmaruvathur Adhiparasakthi Institute of Medical Science and Research. This survey was done with questionnaire, structured evaluation graduated table and experimental checklist. Data analysis was done by utilizing descriptive and illative statistical process. The points were scored after appraisal and rating and the consequences were tabulated. The statistical methods used for analysis were average, standard divergence, gestural trial and correlativity.Description OF THE TOOLSDetailss of the tools in this survey are as follows ;PART- IDemographic variablesDemographic variables include age, gender, educational position, business, household monthly income, matrimonial position, faith, household history of co- morbid disease, diet and bad wonts.PART- IIStructured Rating ScaleStructured evaluation graduated table of Index of Severity of Osteoporosis by Lequesne appraisal tool was used to place the betterment in the wellness position of clients with Osteoporosis.PART- IIIIt includes Experimental Checklist of nursing intercessions for client with Osteoporosis.REPORT OF THE PILOT STUDYThe pilot survey was conducted on July of 2010 to happen out the effectivity of n ursing attention on clients with Osteoporosis in Melmaruvathur Adhiparasakthi Institute of Medical Sciences and Research, Melmaruvathur, Kanchipuram District for a period of two hebdomads. A Index of Severity of Osteoporosis by Lequesne and was used by the research worker and used to happen out the dependability, cogency which was evaluated by the experts of the research commission. A convenient sampling technique was used to choose three samples by agencies of structured evaluation graduated table to measure the wellness position of clients with Osteoporosis. The nursing attention was provided as per the tool and wellness position was evaluated, eventually the research was analysed based on the mark. Therefore the nursing attention was extremely effectual on clients with Osteoporosis.CogencyThe tool was prepared by the research worker under the counsel of experts and on the footing of aims, which were assessed and evaluated, accepted by the experts of research commission. Content c ogency of this instrument was obtained from nursing experts.DependabilityThe dependability was checked by an interater method. The dependability was 0.80 by utilizing Cronbach & A ; acirc ; ˆâ„ ¢s expression. After the nursing attention was provided, gestural trial was used and found that nursing intercessions was effectual.INFORMED CONSENTThe research worker obtained written consent from the Managing Director, Melmaruvathur Adhiparasakthi Institute of Medical Sciences and Research and from the Principal of Adhiparasakthi College of Nursing, Melmaruvathur. Oral consent was taken from the survey participant to carry on the survey. The information aggregation was done for six hebdomads by utilizing interview and experimental method.DATA COLLECTION PROCEDUREThe informations were collected from the Osteoporosis clients who were admitted in Melmaruvathur Adhiparasakthi Institute of Medical Sciences and Research in Orthopaedic ward for the six hebdomads of survey period. A good res onance was maintained with the clients in order to derive the co- operation of the clients throughout the survey. After roll uping demographic informations, appraisal was done with the aid of standardised evaluation graduated table. The nursing attention was given utilizing a experimental checklist. On the twenty-four hours of discharge the client & A ; acirc ; ˆâ„ ¢s wellness position was evaluated with the aid of same structured evaluation graduated table.SCORE INTERPRETATIONThe mark was interpretated as follows ; Mark reading = Obtained score ten 100 Entire markSCORE DESCRIPTIONDescriptionPercentageHealthy Mild wellness impairment Moderate wellness impairment Severe wellness impairment Less than 25 % 25- 50 % 50- 75 % More than 75 %STATISTICAL METHODS.No.DATA ANALYSISMethodRemark1 Descriptive statistics Frequency per centum, Mean, Standard divergence To depict the demographic variables. 2 Inferential statistics 1.Sign trial 2.Correlation Analyzing the effectivity between pre appraisal and station rating of wellness position of the clients with Osteoporosis. Correlation between selected demographic variables and rating of wellness position of clients with Osteoporosis. Data analysis and reading were done under following headers. Section- A: Distribution of selected demographic variables of clients with Osteoporosis. Section- B: Frequency and per centum distribution of wellness position of clients with Osteoporosis. Section- C: Comparison of mean and standard divergence of appraisal and rating mark of effectivity of nursing attention on clients with Osteoporosis. Section- D: Mean and standard divergence of betterment mark for clients with Osteoporosis SECTION- Tocopherol: Correlation between selected demographic variables and effectivity of nursing attention on clients with Osteoporosis.SECTION- A Table 4.1: Distribution of selected demographic variables of clients with OsteoporosisN= 30S.No.DEMOGRAPHIC VARIABLESFrequencyPercentage1 Age ( In old ages ) 18- 32 33- 45 46- 58 & A ; gt ; 58 0 7 16 7 0 23.3 53.3 23.3 2 Gender Male Female 5 25 16.7 83.3 3 Education Status Illiterate Primary school Higher Secondary Graduate/ College 12 10 4 4 40 33.3 13.3 13.3 4 Occupation Employed Unemployed Retired Others 17 6 7 0 56.7 20.0 23.3 0 5 Family & A ; acirc ; ˆâ„ ¢s monthly Income ( in Rs. ) Up to 2000 2001- 4000 4001- 6000 Above 6001 7 11 6 6 23.3 36.7 20 20 6 Marital Status Married Unmarried Widow/ Widower Divorced 21 0 9 0 70 0 30 0 7 Religion Hindoo Christian Moslem Others 10 5 15 0 33.3 16.7 50.0 0 8 History of any co- morbid disease Osteoporosis Other Orthopaedic Problems None Both 15 5 9 1 50.0 16.7 30.0 3.3 9 Diet Vegetarian Non- Vegetarian 15 15 50 50 10 Bad Habits Alcohol Smoking Both None 3 2 4 21 10 6.7 13.3 70 Table 4.1 implies the distribution of respondents harmonizing to certain demographic factors such as age, gender, educational position, business, household monthly income, matrimonial position, faith, household history of carbon monoxide ; morbid disease, diet and bad wonts. Out of 30 clients 7 ( 23.3 per centum ) clients were in the age group 33- 45 old ages, 16 ( 53.3 per centum ) clients were in the age group of 46- 58 old ages, 7 ( 23.3 per centum ) clients were in the age group of above 58 old ages. Most of the clients, 16 ( 53.3 per centum ) were in the age group of 46- 58 old ages. Sing gender 5 ( 16.7 per centum ) of clients are male and 25 ( 83.3 per centum ) of clients are female. Majority of clients, 25 ( 83.3 per centum ) were females. Out of 30 clients 12 ( 40 per centum ) clients are illiterate, 10 ( 33.3 per centum ) clients completed primary school, 4 ( 13.3 per centum ) clients completed high school, and 4 ( 13.3 per centum ) clients are graduate / college. Most of the clients, 12 ( 40 per centum ) are illiterate. Sing business 17 ( 56.7 per centum ) of clients are employed and 6 ( 20 per centum ) of clients are unemployed and 7 ( 23.3 per centum ) are retired. Majority of clients, 17 ( 56.7 per centum ) are illiterate. In instance of household monthly income up to Rs. 2000/- was drawn by 7 ( 23.3 per centum ) clients, 11 ( 36.7 per centum ) had monthly income of Rs. 2001/- to Rs. 4000/- , 6 ( 20 per centum ) were in the income group of Rs. 4001/- to Rs. 6000/- and 6 ( 20 per centum ) clients had a monthly income of above Rs. 6000/- . Most of the clients, 11 ( 36.7 per centum ) had monthly income of Rs. 2001/- to Rs. 4000/- While analyzing the matrimonial position of clients 21 ( 70 per centum ) are married and 9 ( 30 per centum ) were widower/ widow. Most of the clients 21 ( 70 per centum ) are married. 10 ( 33.3 per centum ) of clients are Hindu were as 5 ( 16.7 per centum ) of clients are Christian and 15 ( 50 per centum ) are Muslim. Majority 15 ( 50 per centum ) of clients are Muslim. Out of 30 clients 15 ( 50 per centum ) clients are with co- household history of Osteoporosis, 5 ( 16.7 per centum ) clients are with household history of other orthopedic jobs, 9 ( 30 per centum ) clients are with no co- morbid disease and 1 ( 3.3 per centum ) is with both household history of Osteoporosis every bit good as other orthopedic jobs, Most of the clients, 15 ( 50 per centum ) clients are with household history of Osteoporosis. Sing diet 15 ( 50 per centum ) of clients are vegetarian and 15 ( 50 per centum ) of clients are non- vegetarian. While analyzing the bad wonts 3 ( 10 per centum ) of clients are holding the wont of devouring intoxicant and 2 ( 6.7 per centum ) are of clients with the wont of smoke, 4 ( 13.3 per centum ) are with both the wonts. 21 ( 70 per centum ) of clients do non hold any bad wonts. Majority of clients, 12 ( 70 per centum ) do non hold any bad wonts.SECTION- B Table 4.2: Frequency and per centum distribution of wellness position of clients with OsteoporosisN= 30.S.NoHealth STATUSAppraisalEvaluationNumberPercentageNumberPercentage1 Healthy 0 0 5 16.7 2 Mild wellness impairment 6 20 24 70 3 Moderate wellness impairment 22 73.3 1 3.3 4 Severe wellness impairment 2 6.7 0 0 Table 4.2 shows that at the clip of immediate station operative period wellness position of clients were assessed, out of 30 clients 2 ( 6.7 per centum ) were in terrible wellness impairment, 22 ( 73.3 per centum ) were in moderate wellness impairment and 6 ( 20 per centum ) are in mild wellness impairment. At the clip of discharge the wellness position of clients were evaluated, out of 30 clients 5 ( 16.7 ) were healthy, 24 ( 70 per centum ) are in mild wellness impairment, merely 1 ( 3.3 per centum ) are in moderate wellness impairment and 5 ( 16.7 per centum ) were healthy.Section- C Table 4.3: Comparison of mean and standard divergence of appraisal and rating mark of clients with OsteoporosisN= 30.S.No.Health STATUSMeanStandardDeviationCONFIDENCE INTERVAL1 Appraisal 30.8 3.06 31.28- 28.2 2 Evaluation 16.96 3.94 17.96- 14.44 Table 4.3 indicates assessment average value 30.8 with standard divergence of 3.06 and rating mean value 16.96 with standard divergence of 3.94.SECTION- D Table 4.4 Mean and standard divergence of betterment mark for clients with OsteoporosisN= 30.S.No.Health STATUSMeanStandard DEVIATIONSecondValueKValue1 Improvement mark 13.83 3.64 2 5.38 **p & A ; lt ; 0.05 degree of significance Table 4.4 shows that betterment score average with 13.83 and standard divergence of 3.64. The K value is 2 and S value is 5.38. Since the deliberate value is greater than table value, it implies that there was statistically extremely important betterment in wellness position of clients with Osteoporosis after the post- operative nursing attention at 0.05 degree of significance. Thus the nursing attention on clients with Osteoporosis was effectual.Section- E Table 4.5: Correlation between the selected demographic variables with the effectivity of nursing attention of clients with Osteoporosis.S.No.DEMOGRAPHIC VARIABLESAppraisalEvaluationRSevere wellness impairmentModerate wellness impairmentModerate wellness impairmentMild wellness impairmentNo.%No%No%No%1 Age ( In old ages ) 18- 32 33- 45 46- 58 & A ; gt ; 58 0 1 0 1 0 3.3 0 3.3 0 6 10 6 0 20 3.3 20 0 1 0 0 0 3.3 0 0 0 6 16 7 0 20 53.3 23.3 -0.3 2 Gender Male Female 0 2 0 6.7 3 19 10 63.3 0 1 0 3.3 5 24 16.7 80 -0.8 3 Education Status Illiterate Primary school Higher Secondary Graduate/ College 1 0 0 1 3.3 0 0 3.3 9 6 4 3 30 20 13.3 10 0 0 0 1 0 0 0 3.3 12 10 4 3 40 33.3 13.3 10 0.4* 4 Occupation Employed Un- employed Retired Others 4 2 0 0 13.3 6.7 0 0 12 4 6 0 40 13.3 20 0 1 0 0 0 3.3 0 0 0 16 6 7 0 53.3 20 23.3 0 -0.1 5 Family & A ; acirc ; ˆâ„ ¢s monthly Income ( in Rs. ) Up to 2000 2001- 4000 4001- 6000 6001- 8000 0 1 0 1 0 3.3 0 3.3 5 8 4 5 16.7 26.7 13.3 16.7 0 0 0 1 0 0 0 3.3 7 11 6 5 23.3 36.7 20 16.7 0.3 6 Marital Status Married Unmarried Widow/ Widower Divorced 1 0 1 0 3.3 0 3.3 0 16 0 6 0 53.3 0 20 0 1 0 0 0 3.3 0 0 0 20 0 9 0 66.7 0 30 0 -0.1 7 Religion Hindoo Christian Moslem Others 1 1 0 0 3.3 3.3 0 0 6 3 13 0 20 10 43.3 0 1 0 0 0 3.3 0 0 0 9 5 15 0 30 16.7 50 0 -0.2 8 Family history of any co- morbid disease Osteoporosis Other orthopedic jobs None Both 2 0 0 0 6.7 0 0 0 10 5 7 0 33.3 16.7 23.3 0 0 1 0 0 0 3.3 0 0 14 5 9 1 46.7 16.7 30 3.3 -0.2 9 Diet Vegetarian Non- vegetarian 1 1 3.3 3.3 11 11 36.7 36.7 14 15 46.7 50 1 0 3.3 0 -0.2 10 Bad wonts Alcohol Smoking Both None 0 1 0 1 0 3.3 0 3.3 1 1 1 19 3.3 3.3 3.3 63.3 0 0 0 1 0 0 0 1 3 2 4 20 30 6.7 13.3 16.7 0.1 **p & A ; lt ; 0.05 degree of significance Table 4.5 indicates that there was statistically no important correlativity between selected demographic variables like age, gender, business, household monthly income, matrimonial position and faith, household history of co- morbid disease, diet and bad wonts. There is important correlativity in educational position.

Free Essays on Summary Of Rebecca

The author starts out the story with a flashback describing the end of the story or for the narrator of the book, the present. Then, the narrator, who we never learn her name, starts to explain the beginning of the novel. She is very young and inexperienced on life and works as a young companion for a rich American lady called Mrs. Van Hopper. At a hotel in France, where everything around her makes her feel inferior, she meets Maxim De Winter, the man who owns Manderley, a mansion known by all. During their stay at the hotel, they spend more and more time with each-other. As the narrator is about to leave for New York, Maxim proposes and they get married. After a wonderful honeymoon around Europe, they return together to Manderly. As soon as they get there, the narrator’s insecurities step in. She is constantly reminded of Rebecca, Maxim’s beautiful first wife who had tragically drowned sailing. To add to these insecurities, Mrs. Danvers, head housekeeper and who loved Rebecca, tries everything to destroy this young girl. Soon the narrator feels like she can never stand up to the talented, beautiful, loved by all and brilliant Rebecca. She feels like Maxim is still in love by her. Manderley hosts a yearly costume ball. This was the narrator’s first entrance in the public eye as Mrs. De Winter and she wanted to impress everybody. After days and days of thinking of what her costume was going to be, she takes Mrs. Danver’s advice and chooses a shepherd’s dress as in one of the paintings at Manderly. As she is walking down the steps into the great hall of Manderley, she finds herself looking at Maxim’s terrified face. Mrs. Danvers has intentionally suggested her to wear a costume which Rebecca had wore to her last ball. The next morning a series of mysteries quickly unfold. The wreckage of Rebecca’s sailing boat was found with her body inside near the bay. This discovery pushed Maxim to tell the narrator the truth.... Free Essays on Summary Of Rebecca Free Essays on Summary Of Rebecca The author starts out the story with a flashback describing the end of the story or for the narrator of the book, the present. Then, the narrator, who we never learn her name, starts to explain the beginning of the novel. She is very young and inexperienced on life and works as a young companion for a rich American lady called Mrs. Van Hopper. At a hotel in France, where everything around her makes her feel inferior, she meets Maxim De Winter, the man who owns Manderley, a mansion known by all. During their stay at the hotel, they spend more and more time with each-other. As the narrator is about to leave for New York, Maxim proposes and they get married. After a wonderful honeymoon around Europe, they return together to Manderly. As soon as they get there, the narrator’s insecurities step in. She is constantly reminded of Rebecca, Maxim’s beautiful first wife who had tragically drowned sailing. To add to these insecurities, Mrs. Danvers, head housekeeper and who loved Rebecca, tries everything to destroy this young girl. Soon the narrator feels like she can never stand up to the talented, beautiful, loved by all and brilliant Rebecca. She feels like Maxim is still in love by her. Manderley hosts a yearly costume ball. This was the narrator’s first entrance in the public eye as Mrs. De Winter and she wanted to impress everybody. After days and days of thinking of what her costume was going to be, she takes Mrs. Danver’s advice and chooses a shepherd’s dress as in one of the paintings at Manderly. As she is walking down the steps into the great hall of Manderley, she finds herself looking at Maxim’s terrified face. Mrs. Danvers has intentionally suggested her to wear a costume which Rebecca had wore to her last ball. The next morning a series of mysteries quickly unfold. The wreckage of Rebecca’s sailing boat was found with her body inside near the bay. This discovery pushed Maxim to tell the narrator the truth....

Definition and Examples of Syllogisms

Definition and Examples of Syllogisms In logic, a syllogism is a form of deductive reasoning consisting of a major premise, a minor premise, and a conclusion. Adjective: syllogistic. Also known as a  categorical argument or a standard categorical syllogism. The term syllogism is from  the Greek, to infer, count, reckon Here is an example of a valid categorical syllogism: Major premise: All mammals are warm-blooded.Minor premise: All black dogs are mammals.Conclusion: Therefore, all black dogs are warm-blooded. In rhetoric, an abridged or informally stated syllogism is called an enthymeme. Pronunciation: sil-uh-JIZ-um Examples and Observations Among this countrys enduring myths is that success is virtuous, while the wealth by which we measure success is incidental. We tell ourselves that money cannot buy happiness, but what is incontrovertible is that money buys stuff, and if stuff makes you happy, well, complete the syllogism.(Rumaan Alam, Malcolm Forbes, More Than I Dreamed. The New York Times, June 8, 2016)Flavius: Have you forgot me, sir?Timon: Why dost ask that? I have forgot all men;Then, if thou grantst thourt a man, I have forgot thee.(William Shakespeare, Timon of Athens, Act Four, scene 3 Major Premise, Minor Premise, and Conclusion The process of deduction has traditionally been illustrated with a syllogism, a three-part set of statements or propositions that includes a major premise, a minor premise, and a conclusion. Major premise: All books from that store are new.Minor premise: These books are from that store.Conclusion: Therefore, these books are new. The major premise of a syllogism makes a general statement that the writer believes to be true. The minor premise presents a specific example of the belief that is stated in the major premise. If the reasoning is sound, the conclusion should follow from the two premises. . . .A syllogism is valid (or logical) when its conclusion follows from its premises. A syllogism is true when it makes accurate claims- that is, when the information it contains is consistent with the facts. To be sound, a syllogism must be both valid and true. However, a syllogism may be valid without being true or true without being valid.(Laurie J. Kirszner and Stephen R. Mandell, The Concise Wadsworth Handbook, 2nd ed. Wadsworth, 2008) Rhetorical Syllogisms In building his theory of rhetoric around the syllogism despite the problems involved in deductive inference Aristotle stresses the fact that rhetorical discourse is discourse directed toward knowing, toward truth not trickery. . . . If rhetoric is so clearly related to dialectic, a discipline whereby we are enabled to examine inferentially generally accepted opinions on any problem whatsoever (Topics 100a 18-20), then it is the rhetorical syllogism [i.e., the enthymeme] which moves the rhetorical process into the domain of reasoned activity, or the kind of rhetoric Plato accepted later in the Phaedrus.(William M.A. Grimaldi, Studies in the Philosophy of Aristotles Rhetoric. Landmark Essays on Aristotelian Rhetoric, ed. by Richard Leo Enos and Lois Peters Agnew. Lawrence Erlbaum, 1998 A Presidential Syllogism On  Meet the Press, . . . [Tim] Russert reminded [George W.] Bush, The Boston Globe and the Associated Press have gone through some of their records and said theres no evidence that you reported to duty in Alabama during the summer and fall of 1972. Bush replied, Yeah, theyre just wrong. There may be no evidence, but I did report. Otherwise, I wouldnt have been honorably discharged. Thats the Bush syllogism: The evidence says one thing; the conclusion says another; therefore, the evidence is false. (William Saletan, Slate, Feb. 2004) Syllogisms in Poetry: To His Coy Mistress [Andrew] Marvells To His Coy Mistress . . . involves a tripartite rhetorical experience which is argued like a classical syllogism: (1) if we had world enough and time, your coyness would be tolerable; (2) we do not have sufficient world or time; (3) therefore, we must love at a faster rate than gentility or modesty permit. Although he has written his poem in a continuous sequence of iambic tetrameter couplets, Marvell has separated the three elements of his argument into three indented verse-paragraphs, and, more important, he has proportioned each according to the logical weight of the part of the argument it embodies: the first (the major premise) contains 20 lines, the second (the minor premise) 12, and the third (the conclusion) 14.(Paul Fussell, Poetic Meter and Poetic Form, rev. ed. Random House, 1979) The Lighter Side of Syllogisms Dr. House: Words have set meanings for a reason. If you see an animal like Bill and you try to play fetch, Bills going to eat you, because Bills a bear.Little Girl: Bill has fur, four legs, and a collar. Hes a dog.Dr. House: You see, thats whats called a faulty syllogism; just because you call Bill a dog doesnt mean that he is . . . a dog.(Merry Little Christmas, House, M.D.)LOGIC, n. The art of thinking and reasoning in strict accordance with the limitations and incapacities of the human misunderstanding. The basic of logic is the syllogism, consisting of a major and a minor premise and a conclusionthus: Major Premise: Sixty men can do a piece of work sixty times as quickly as one man.Minor Premise: One man can dig a posthole in sixty seconds;thereforeConclusion: Sixty men can dig a posthole in one second. This may be called the syllogism arithmetical, in which, by combining logic and mathematics, we obtain a double certainty and are twice blessed. (Ambrose Bierce, The Devils Dictionary) It was at this point that the dim beginnings of a philosophy began to invade her mind. The thing resolved itself almost into an equation. If father had not had indigestion he would not have bullied her. But, if father had not made a fortune, he would not have had indigestion. Therefore, if father had not made a fortune, he would not have bullied her. Practically, in fact, if father did not bully her, he would not be rich. And, if he were not rich . . .. She took in the faded carpet, the stained wall-paper, and the soiled curtains with a comprehensive glance. . . . It certainly cut both ways. She began to be a little ashamed of her misery.(P.G. Wodehouse,  Something Fresh, 1915)

How new are the 'new wars' Evaluate Kaldor's thesis with respect to Essay

How new are the 'new wars' Evaluate Kaldor's thesis with respect to both the newness of the empirical trends she identifies and - Essay Example Mary Kaldor coined the term new war in her 1999 book ‘New and Old Wars’. Kaldor’s new war thesis is the most widely acknowledged in the new war debates. Kaldor described new war â€Å"as being increasingly fought over new identities rather ideologies, by non-state combatants rather than regular state armies, engaging in attacks on the civilian population rather than direct military encounters, and undermining rather than building the sate† (Rigterink 2012, n.p.). The thesis has been critics savaged especially on the empirical ground. This paper evaluates the Kaldor’s thesis with respect to the newness of the empirical trends identified in trying to answer that question whether new war are really new. The two world wars especially the Second World War made it necessary that globally systems be put in place to address any inter- states conflicts and civil wars. There has been a large success in addressing inter-states conflicts and wars, but clearly co nflicts and violence has not been banished (World Bank 2011, cited in Kaldor 2013). The increase of different actors in wars: criminal gangs, mercenary groups, local warlords and paramilitary units only contribute to make wars more complex (Kaldor 2006, p.9). The emerging trend of new wars is characterized by increased violence and a higher ratio of civilian to the military casualties. Munkler (2002, p. 15) adds that the new wars are â€Å"more bloody than any other kind of war since 1945.† According to Kaldor (2006, p.9), the ratio of civilians to military combats have increased from 1:8 in old wars to about 8:1in the new wars. In her article, In defense of new wars, Kaldor says that new wars are a means to elucidating the logic of contemporary war with the aim of offering a research strategy and guide to policy (Kaldor 2013). She argues that new wars need not be looked only in terms of its empirical basis; otherwise, truth will be lost. She, however, agrees that some of the critics are indeed valid but then the existence of new wars should not be lost so that the political elements of the wars can be addressed (Kaldor 2013). How new is the new war thesis? Kadlor argues that the wars we are experiencing today are indeed different in character from the old interstate wars. She gives a distinction between the old and the new war with respect to a complex of non-state actors; irregular participants and fighting; violence targeting civilians; prevalence of identity politics; widespread criminality; absence of centralized states directions; and transnational networks participation in providing financing, soldiers, and weapons (Kaldor 2006). Critics, however, argue that there is nothing new about the stated elements that indeed all have been experienced in various past conflicts. The truth is that the elements described are not entirely new but what Kadlor intended in proposing the new war thesis was that new strategy need to be embraced in researching the p resent conflicts and in policymaking (Kadlor, 2013). Critics, for example, that the states are being involved in today’s war will misses the point of the new war logic, since the new war thesis only offers input that a new trend of non-state actors are being drawn into the war without refuting the fact that states actors are still operation. Therefore, it would be important that one concludes that though new war have emerged it does not imply that the old forms of wars are no longer in play.

The study of motivation in consumers which stimulates them to purchase Dissertation

The study of motivation in consumers which stimulates them to purchase luxury goods despite the steep and increasing price - Dissertation Example For instance small production volume leads to rarity, along with high level of effort and quality to make it extraordinary, aesthetics and create a good story behind the product, which automatically increases the price. The products that are more than ordinary and necessary are required to be scarce and not possessed by everyone. This paves the pathway for making the product too expensive so that only few can access. The recent recession in the year 2008 has made crafty luxury the new buzz word. It is all about consumption of good that has extraordinary features and are expensive but at the same time it is very in-the-know and discreet. A dramatic shift has been observed in the market of luxury products. The recession has adversely affected the rich people. Now the consumption of luxury products is more due to the increased practicality and higher perceived value. The branded name are still the strong sellers, which shows that increase in price is not a big factor that affects the pu rchasing decision of the consumers. The rising demand of luxury goods in the emerging countries like China, Thailand has aroused the interest among the researchers to indentify the motivating factor behind such an increasing interest. It is also seen that the price of the luxury products are increasing over the time but this is not creating any adverse impact on the demand of the luxury product by decreasing the demand for it. This factor has initiated this study that focuses on the study of motivation in consumers of Thailand towards purchase of luxury goods despite of increase in price. The research was aimed to finds the value that the consumers attaches with the luxury goods, the perception that they have relating to increase in price and the consumers behaviour that they display due to the price change. The study found that consumers of Thailand are more inclined to attach social status with the purchase of luxury product. The consumers are seen to use price as an indicator of product quality, rarity, extraordinariness etc., and the study suggests that the Thai consumers are willing to pay higher price for the products that are dissimilar and not possessed by everyone. The increase in price is seen to enhance this social status and thus, the demand is seen to increase when the price increases. The study reflected that if the price of the luxury product decreases then the Thai consumers are more eager to switch to the brands that are offering same products at a higher price. Table of Contents Abstract 2 1. Introduction 7 3. Methodology 9 4. Findings and analysis 18 5. Discussion 31 6. Conclusion and Recommendation 34 Reference List 37 Appendix 41 1. Introduction 1.1 Overview The world market in luxury goods in recent years has experienced enormous growth. The appeal of the luxury goods in the global market is as a result of the recognizable style, perceived superior quality, reputation and limited accessibility. As per the perception of the consumers who p ossess luxury goods the characteristics signify the symbolic, experimental and emotional value. These characteristics of the luxury help the owner in bridging the gap between the external world and inner satisfaction. For instance for a wealthy customer the possession of a luxury handbag is a mark of economic power and social status symbol to the less wealthy ones. On the other hand for the

Cloud Computing and Human Rights Research Paper

Cloud Computing and Human Rights - Research Paper Example Along the way, the paper touches on the legal regimes that regulate surveillance of cloud activities, and the basis of such laws in more fundamental laws relating to privacy rights. The paper also touches on the concerns that individuals and governments have with regard to the way cloud computing wrestles control of data from users, and how such control issues weigh on decisions by individuals and governments to move their activities over to the cloud (Ion et al. 2011; Solove 2007; Warren and Brandeis 1890; Necessary and Proportionate 2013; ACLU of Massachusetts 2013; Judge 2013; Brown 2013; Timberg 2013; Schneier 2013; Chen 2010; Davies 2013; Johnson 2013). II. Introduction This paper discusses the statement that cloud computing, in the new century, has the potentiality with regard to the creation of the largest violations of human rights. This statement pertains to cloud computing as a potential platform for the breaching of the privacy rights of individuals, and those corollary ri ghts that pertain to privacy rights, including the right to privacy of health information and other corollary rights. Cloud computing refers to the use of online storage and applications, including social media, platforms for sharing documents and images, and the way users are made to agree to user agreements that may compromise data privacy rights in favor of greater use of such personal information by service providers, among others. Such breaches of privacy rights and the issues tied to that extend to the way governments have come to have access to private citizen data as they are generated from their smartphones and other computing devices, including personal computers and tablets, and how such access is made without explicit consent and knowledge of citizens in various parts of the world. The violations of privacy rights can be gleaned from a cursory look at the literature to be pervasive and crosses social and national boundaries, and that in turn poses serious questions with regard to the overall desirability of cloud computing platforms when it comes to individuals who are wary of the intrusions into their private data by governments and private enterprises, and by the way such intrusions can result in the safety and overall integrity of the human person being compromised. This, in turn, poses questions with regard to the overall desirability of alternatives to cloud computing, such as the use of private, offline storage and applications, to circumvent surveillance by various governments and third parties and to secure the privacy rights of human beings around the world.

Globalization Strategies In Hollywood

Globalization Strategies In Hollywood Hollywood acts an important role in globalization and Americanization. Hollywood movies not only create the profit of economics, but also produce the global fun which is a form of Americanization. Meanwhile, Hollywood regards Chinese film industry as the most potential international film market. Obviously, Hollywood is drawing support from the strength of the US economics to extend market. After China has participated in WTO, Chinese film and the culture sovereign is confronted to the challenge. As a result, taking Hollywood an example would study the culture globalization and culture Americanization. Furthermore, it could benefit from successful Hollywood movies to find out the strategies of Americanization in order to develop the vitality of Chinese film industry. Current situation of Chinese style movies in Hollywood From Luise Rainer who patted locusts in movie The Good Earth in 1937 to Ingrid Bergman who put on bamboo hat in The Inner of the Sixth Happiness in 1958, and Tom Cruise had jumped down from a high building in Shanghai in Mission Impossible à ¢Ã¢â‚¬ ¦Ã‚ ¢, Chinese culture has affected Hollywood for more than seventy years. In 2008, Kung Fu Panda was coming. Obviously, it utilized more Chinese styles, but the whole film was produced by western teams and Hollywood patterns. Kung Fu Panda occurred in China, where have high mountains and lofty hills, indeed, it is like a traditional Chinese landscape paintings. Moreover, the roles in this film are also attracted audiences, such as the leading charactera lovely panda Bo and others like monkey, snake, tiger and red-crowned crane. All of these elements constitute this film which possesses the romantic charm with WuShu. It happens that there is a similar case, 2012 has showed in 2009. Some of the scenes have taken place in China. Due to the Chinese Peoples Liberation Army and civilians, human beings in the world could be rescued. Even though it is a story, it is no doubt that Chinese style is increasingly significant than before. From this view, Chinese style has two meanings which contain nature sightseeing and human flavor. On one hand, the wilderness in the west and the views which is charming and graceful in south of the Yangtze River constitute the nature sightseeing in Hollywood movies. On the other hand, from some westerns view, swordsmen films represent the typical model of Chinese culture. Therefore, in terms of Chinese style, the human flavor is another central issue of Hollywood. As some researcher has pointed out that film is like a specific culture product (Abercrombie and Longhurst, 2007), in fact, besides its material properties, films draw support from sounds, images, pictures and languages, these elements produce the symbolic signs and ideologies. Meanwhile, it connects with culture fields because films might shape to a sort of power which relates to collective values of society and the politic fields which includes culture intension. Obviously, the globalization in Hollywood has impacted Chinese domestic film industry. More importantly, it distributes American commercial, culture, politics, lifestyle and values to worldwide. Finally, Americanization will affect culture identity in order to achieve the future of world film industry. Due to that, the topic of Hollywood and Chinese film is emerging. Some concepts Globalization and Americanization In the previous articles, the concept of globalization was explained by which meant the expansion of European countries, thereby, achieving the global economics integration (Modelski, 2008). At present, this concept is quoted steadily which states that globalization represents a new phenomenon (King, 1991). Indeed, economic globalization is the core of globalization, and it consists of the multi- concept such as politics, culture, technology, military, security, ideology, lifestyle and the values. Americanization is not a new phenomenon. Even though Stead (1902) has stated that the concept of Americanization for more than hundred years, the real Americanization should be a kind of phenomenon in the middle of twentieth century. Storey (2005) brought up the features of Americanization is people who live all over the world drink Coco-cola every day, eat McDonalds, wear American style or the clothes which are made by America, see Hollywood movies and watch NBA, save and make use of dollars, speak American English, pay more attention to America no matter politics, economics and entertainments. Besides that, Americans export their values, ideas, policy and weapons to worldwide. After all, these features are only existed in studies; in fact, most of people all over the world even interested in Americanization. Above all, globalization is a kind of objective process; it describes the development of the world, as a result, it has undergone a deeply transformation. Although after 1990s, globalization has little changed by Americanization, the characters would not be altered. Americanization just limits the effect of communication in terms of American popular culture, in other words, it might transform the direction of culture in some countries which affected by American. However, Americanization could not completely influence. From this point of view, globalization and Americanization are two completely different notions. The former one is objective, and the latter one is a description of tendency which is in process. Culture globalization and culture Americanization Culture globalization is a kind of tendency which accompanied by the development of association. It seems that different culture exchange and culture identity has increased deeply, thereby, shaping the culture consistency which has the similar value and lifestyle. However, Crane (2002, p.2) stated that the best known model of culture globalization is cultural imperialism theory. Indeed, culture globalization has expressed two aspects (Gang, 2002). On one hand, at present, the content and the space of culture communication is increasingly widely, the acceptance of new culture and traditional one has risen gradually. From the previous development of human beings, due to the limitation of regions, communication of different groups were not active. However, accompanied by the technology and transportation, people in different places are more closed than before. In other word, people are not only confining the trade, but also developing religions and cultures. In general, the culture betw een different groups has already not restricted by region, meanwhile, the level of communication has enhanced. Therefore, globalization is concentrated on the phenomenon of cross-cultural exchange. On the other hand, every nation culture and region culture would reach an overlapping consensus. As I mentioned before, previous human culture had developed with geographical isolation, due to that, the culture difference is obviously. Firstly, globalization brings the circulation of capital, and then different nations would crash by different culture and values. These changes make people possess a wider horizon. As a result, people would adopt and improve their domestic culture, and they would tolerant with other different culture. In this process of seeking common ground while reserving differences, some advantages would be absorbed into the domestic culture system. By contrast, culture Americanization is a sort of phenomenon which makes American mass communication spreads to different countries in order to converge on domestic culture to American culture. It seems that this phenomenon tries to transform a multicultural society to a single culture. Compare to the definition of culture globalization, culture Americanization has changed a tendency which shapes some universal cultural characters, such as the assimilation of values and lifestyles into some specific tendency of American. However, the society of American has existed one kind of ideology. In general, due to the attraction of American culture, it has shaped a new former of global culture which concentrates on American values. Some researchers have upheld this point urgently and expect to achieve their wishes. Charles Krauthammer who is a columnist in Washington Post has written that it has no global mass culture before, therefore, the present culture is forming, and it is the specific American mass culture (Krauthammer, 2006). Hall (1991) argued that globalization is Americanization. It is determined by film and other culture terms. All of these points belong to mass culture, and American has the advantages rather than other countries. In fact, except American, there is no countries would like to become the reproduction of American culture. Culture Americanization has hit the point of researchers who want to product their domestic culture out of America. Some of them have overstated the influence of Americanization so that people are boycotting the cultural Americanization. Especially, few people have distinguished the concept of culture globalization and culture Americanization. Therefore, only understanding the basic notions of globalization and Americanization could study the American phenomenon, such as Hollywood more deeply. Successful reasons why Chinese style is so popular in Hollywood Kung Fu Panda has won the successful achievement no matter in China or in America. Audiences are intoxicated with the Chinese styles. Due to the shape, spirit and meaning, plus the creation, Kung Fu Panda is so popular in China and all over the world. Consequently, Hollywood producers have concentrated on Chinese style in order to attract audiences to appreciate Hollywood films. People feel that the distance of different culture has cut down. More specifically, someone has pointed out that the Hollywood production has overstepped the understanding of domestic culture for Chinese. The reason why Hollywood captured the marrow of Chinese culture is that Hollywood has developed the strategies in China. The Chinese film market in Hollywood eyes Due to China has amount of populations and the economics has grown, China has acted an important role in current society. Indeed, China possesses a significant position in terms of politics, economics and culture. When China wanted to join in WTO in 1999 ¼Ã…’film is an important topic. Because China always has limited foreign investment to enter the domestic film market, America expected Chinese government to admit more America film entering into China. Besides that, some America film company could invest and build new modern cinemas in China. On November 15th, 1999, China and America has reached the agreement which permits foreign company which invests 50 percent stocks engaging the cinema buildings and managements after three years. In fact, from 1920s, Hollywood had entered into China. During 1930-40s, Hollywood film had occupied 75 percent of Chinese market. More apparently, Hollywood was opened by Cecil B.Demille, Ernes Lubitscht and Mickey Mouse. To be honest, the direct result is that Hollywood has cultivated amounts of audiences. Most audiences in these year liked Mary Pickford and Douglas Fairbanks rather than Hu Die or Jin Yan. More interesting, some fans assorted Chinese and Hollywood stars in pairs. However, at that time, some directors also imitated the Hollywood. In 1934, Han Langen acted Song of the Fishermen, from that, he worked with Yin Xiucen so that copied Stan Laurel and Oliver Hardy. Until 1949, because China has embarked on an independent, self-reliance road, Hollywood films were stooped. Therefore, Hollywood faded out gradually the entertainment in China. After 1980s, when the reform and open policy has suggested in China, meanwhile, with the relationship between China and the whole world h as increasingly closed than before, Chinese culture industry brought the moment for Hollywood, and then Hollywood paid attention to China again. With joined into WTO and one fifth percent of population in the world, even though there are some limitations of laws, cultures and ideology, the Hollywood producers are even addicted to China. As for America, the culture industry in China has not been developed at all. Because China culture industry has not enough investments, technology and regular companies, American producers are so interested in it. Consequently, as for Hollywood, Chinese film market is not only a gold ore, but an undeveloped diamond ore. Almost 1.3 billion potential audiences in China is a temptation for Hollywood. Indeed, when the Chinese film market opens, it will supply a fresh export film market for America, more importantly, China will probably be the second film market in the world, which beyond Europe and Japan. More specifically, in the future, every four Hollywood films would have one subject for China at least. Due to develop the Chinese film market, Hollywood film companies started to research Chinese market in the middle of 1990s. Some of them had established Chinese department, others had employed Chinese students going back to China which assumed an important position. Every film company has got in touch with the organizations which managed films in China. In 1999, Twentieth Century of Fox Film Corporation received the Chinese film delegation. In 2000, Warner Bros. provided financial aids to China in order to hold Chinese Culture in United States in America. Moreover, all of film companies such as Metro-Goldwyn-Mayes (MGM), Paramount Pictures, Inc., Warner Bros., Universal Pictures Co., tried to imagine how to enter into Chinese film market. Larry Gleason who is the CEO of MGM said 55 percent of America film incomes were from out of America; meanwhile, China has the most population in the world, it is no doubt that Hollywood must enter into China. Developing the potential of Chinese mar ket will be the aim of MGM. In fact, the points of Larry Gleason have represented most of Hollywood companies. The strategies of Hollywood in China As a developing country, on one hand, China insists on the policy of reform and open, on the other hand, China should retain the socialist system. Due to the political environment of China, Hollywood might confront some barriers if it will get into Chinese market. First of all, Chinese government even keeps the film administrative limitation. Second, there are some differences between Chinese unique culture and Hollywood culture. Thirdly, Chinese film market is in disorder status. Because of that, Hollywood has a clear awareness. Therefore, from these years, Hollywood adopted sorts of strategies to try to overcome and reduce these barriers, thereby, preparing getting into China for maximum effect. Firstly, Hollywood expected to utilize America political power to expand their survival space. Moreover, Hollywood tried to invest and manage the film production industry, distribution industry and project industry, so that it could establish the Chinese film market. Thirdly, Hollywood want ed to take pictures which are acted by Chinese producers or actors or utilize the Chinese style in order to cater to the Chinese audiences. Finally, with other media formers, Hollywood tried to cultivate audiences to possess wider interests in Hollywood, thereby, developing the potential Hollywood market. In general, these strategies had been used in Hollywood history, and it gained the success. As for Hollywood, China is the second Europe, and it would be the new world from their expectation. From the views of promoting Hollywood, America government always acts the role of guard. As for a product, America government sales films to worldwide. Instead of how to make films, government would think about what should they do first in order to create condition for producing. In 1922, America film production has set up The Motion Pictures Producers and Distributors Association (MPPDA) ¼Ã…’this association has cooperated with government, thereby, striving for abroad benefits. After World War à ¢Ã¢â‚¬ ¦Ã‚ ¡, The Motion Pictures Exports Association of America (MPEAA) was built. This association was duty to address the external transactions. These organizations often kept in touch with the Department of Commerce. Obviously, political factors are always the reinforcements of Americanization. As a result, in the future, America government must strive for the rights through the politics. To some extent, Hollywood is a new force for Americanization. The second strategy of Hollywood globalization is investing other countries film industry in order to set up an organization which is duty to manage it, thereby, controlling foreign film market. In fact, when Hollywood occupied the Europe film market, the first step was co-production and distribution. At present, Hollywood tried to adopt the same method to enter Chinese film market. For instance, Hollywood needs make films with Chinese, on one hand, Chinese film produce system could be bring into Hollywood; on the other hand, it could make a similar pattern which based on Hollywood, and the audiences could be cultivated by the this new pattern film. Take Kodak for example, they once considered choosing one of five countries or districts where has the biggest potential of film industries, Chinese mainland is in it. Fortunately, they have chosen Chinese mainland because they believe film business opportunities in China are the best. Furthermore, Kodak has planned to build up 6 to 8 mod ern cinemas in Beijing, Guangzhou and other big cities. Besides that, Kodak initiated that they would show both foreign language films and domestic films in order to cater to the requirements of Chinese audiences. Consequently, the reason why Hollywood and other film companies would get involved with Chinese film industry is one of the strategies to enter into Chinese film industry. Through the history of Hollywood, it is very fruitful that Hollywood used foreign directors, actors/actresses and subjects to conquer the hearts of foreign audiences. On one hand, all of these foreign sentiments have poured Hollywood into cultural nutrition; on the other hand, it would bring the culture sympathy from foreign countries. To illustrate, Bruce Lee, Jackie Chan and Jet Li represent the Chinese style influences of Hollywood. This strategy has increasingly covered the brand of Hollywood. At the same time, it regards global film to enter into the Chinese film market. The globalization of Hollywood has not only limited the export of films. Every year, there is a grand ceremony in Hollywood which is called Oscar. Meanwhile, Hollywood is utilizing the auxiliary product of film, such as DVD, books, toys to expand the infiltration of Hollywood. In general, Hollywood has stared at the Chinese film market. For the strategies of globalization in America, Hollywood has not only opened up the second market which is inferior to America, but also weaved many America fables through the American love story and hero story. Therefore, Hollywood would conquer the foreign nations. Hollywood has altered the America to the world; meanwhile, the world is changing by America. Discussions The strategies of Americanization and films With the strategies of Americanization, culture industry, especially the film part is a significant chess for America. When culture has become an industry, the functions of economics and culture have overlapped. Indeed, the exports of cultural product have expanded the economic market, also gains the profits. At the same time, on one hand, these culture products could be sold by America lifestyle or values, on the other hand, culture is like a product and product would express culture, they are interaction. Due to culturae products have gained profits and they also create the meaning of advertisement, all of these elements which contain images, sounds, words, pictures and models have exploited the huge market of America politics and economics. As culturae products have its special meanings, America is making great efforts to be Americanization, especially the Americanization of Hollywood films. Early in 1930s, America government realized that film and other formers of mass culture not only possessed the meaning of industry, but conducted America culture, economics and politics. These mass culture and film would possess a priority function. The export of culture might affect other countries, districts and the awareness of nations, religions, culture even languages, in order to weaken their traditional culture, thereby, creating the memory of nation culture and promoting the mixture of America values and beliefs. Consequently, from World Warà ¢Ã¢â‚¬ ¦Ã‚  , America spread films, TV programmes, records and other mass cultural products to all over the world. During in World Warà ¢Ã¢â‚¬ ¦Ã‚ ¡, Hollywood became an important tool which helped the government conduct America. Films which become the most international media industry play a significant role in culture industry. To some extent, from beginning, Hollywood has spread America to the world and America movies possessed an international horizon. The first ten years of twentieth century, Hollywood producers have begun to set up offices out of America. From World Warà ¢Ã¢â‚¬ ¦Ã‚  , America films have replaced by France, British and Germany, became an international film market. From 1919, foreign film markets have brought into the budget of American films. After 1930s, the income of foreign film market already has accounted for one third to one half profits in total of American films. In other words, World Warà ¢Ã¢â‚¬ ¦Ã‚  and World Warà ¢Ã¢â‚¬ ¦Ã‚ ¡placed American films into the leader of the world in terms of economics and produce. After that, this priority position has not been wavered. Although the sound film had emerged, and the language barriers also had brought some threatens for American fi lms, Hollywood had adapted this method of art and technology changes, thereby, consolidating its powerful position. Until 1995, Hollywood films have possessed almost 75 percent of Europe box office income in total. Moreover, Hollywood even owns film market in Canada, Latin America, Oceania and Asia. Even though in Hong Kong where has been called Eastern Hollywood, American films have consolidated its domestic position. In the late of twentieth century, Hollywood has gained 7.5 billion dollars in America as well as over 6 billion dollars from overseas film markets. It became an important component in America new economics (Rao, 2009). After a half century of international efforts, nowadays, American films have been the world film and Hollywood is prevalent. Hollywood films no longer seemed only in America; instead, it became a byword for films. Consequently, America mass culture does not like an imports objective. Indeed, Hollywood has conquered the whole world, and we are becoming a Hollywood star. In the past ten years, due to commerce and military, the debate of information era and information society has become the main struggle of international politics, economics and culture. In fact, the competition of countries depends on information creation and the speed of circulation. Therefore, dominating the media is controlling the benefits of politics and economics. In other words, creating the media industry is producing the benefits of politics and economics. Due to this global competition, in many developing countries, culture nationalism is emerging. Consequently, because of the conflicts of nationalism and global tendency, how Chinese films would maintain its national orientation under the impact of Hollywood is becoming an inevitable thinking. From a higher level, this is a question which deals with globalization of Chinese culture. The vitality of domestic movies in China Even though Hollywood is a huge threatens for the domestic films, Hollywood would not become the gravedigger of domestic films, especially for China which has oriental culture for thousand years of history as well as suffered from vast disaster. As a matter of fact, Hollywood is impossible to replace the domestic culture in China. Even if in 1990s, Hollywood films had entered into China, it was still a number of domestic films had a higher market allotment in Chinese film market. For instance, in 2000, the income of Mulan and Notting Hill has less than ten millions, but the income of Chinese film Be There or Be Square has over 39 million (Rao, 2009), which had exceeded any of Hollywood films in that years. It seems that the domestic films in China are also having a place to live in after Hollywood is getting into China. The key point of Chinese film industry needs to exploit, cultivate and expand its advantages as well as reduce the disadvantage, thereby, strengthening the vitality o f domestic films. As for China, the Chinese films advantages could provide buffer of space, and they also require a kind of potential. For Chinese films, the most obvious advantage is China has a long history as well as the specific culture tradition. Though from 19 century, western culture has affected China, it also has a large difference between western and China in terms of lifestyles, values and languages. Due to that, film Star Wars which made a great sensation in Europe and United States has not accepted by Chinese audiences. Furthermore, the film Crouching Tiger, Hidden Dragon which was directed by Ang Lee was well liked by western audiences rather than China. These examples have showed that China and western countries even has existed the difference, it means Hollywood cannot replace the domestic films, in other words, Chinese films possess their special characters that Hollywood would never have. Therefore, if Chinese films may utilize Chinese traditional resources of culture creatively, the domestic films would occupy an important position in China even in Asia and Chinese culture space in the world. From another point of view, oriental culture tradition might provide a fresh cultural reference to western audiences, thereby, entering into the mainstream of Hollywood. More importantly, China has special condition. Compare to western countries, China is experiencing the transitional era, which transforms traditional society to modern society. Any of the transitional eras are the golden eras of the domestic films, in other words, the transition promotes society relations, interpersonal relations and family relations, due to that, the destiny and values have been altered. Indeed, the true life has provided the materials which are full of dramatic rather than drama as well as it requires much fresher life legend instead of stories. Thus, as for Chinese audiences, on one hand, they need Hollywood produce momentary of imagines; on the other hand, they also use film which is like a mirror to reflect the variation of soul. It should be said that from 1990s, such as The Story of Qiu Ju, Lovers Grief Over the Yellow River, The Treatment have fully utilized the domestic, actual cultural resources to reflect the situation at that moment. All of them are good at combing the social pictures, the ordinary civilians fate to the popular movie patterns. Not only expresses the experiences of transition eras, but also the desire of survival and wisdom, thereby, obtaining the audiences. Therefore, the domestic reality is the cultural superiority of Chinese films. According to the process of globalization, Chinese films also have a significance domestic superiority which is the potential film consumption market. Take Beijing for example, if resident see five films per year, it will reach 6 million RMB in total. Indeed, China has more than 12 million populations, if everyone sees one film per year, though the price is 5 RMB, the income of the whole year should achieve 60 million RMB. This income would support Chinese producers make the excellent domestic films. Moreover, China owns three hundred thousand employees and over hundred years film history, most importantly, there are amounts of talented person who are interested in films, all of these are the advantages of competition. Especially, because China has lower lever economics, the cost of films would less than Hollywood. Therefore, it would become an important strategy of contending for Hollywood. Above all, as I mentioned before, all of them should based on the root, once they come true, the fate of Chinese films would tend to be a bright future. Even though film which is a culture industry would not adapted by all market principles, if Chinese films would not run into market, Chinese films will not be paid attention by the world. Therefore, due to adapt to the market requirements, Chinese film industry must carry on the reformation of industrialization. Overall, Chinese films should make efforts from four aspects in order to open up the international space of Chinese films. First of all, China should establish film produce and distribution organizations which possess the international marketing, thereby, shaping a professional film enterprise. Furthermore, recruiting a number of film management persons who has professional quality of movie as well as carrying on the transitional economics. Thirdly, supporting film companies which produce films according to the requirement of international market, so that film companies could create the domestic film brands which are made in China. Finally, film companies should develop the products which are related to films, with TV, videos, DVD and networks to increase the added values. Conclusion It is no doubt that many people blamed the cultural invasion, even some pointed out that the whole world would be brought into the capitalism system which was hold by powerful capitalism countries. However, some researchers argued that globalization has affected domestic films. Obviously, with the development of globalization, the properties in different countries would not distinguish. When international films become an international culture, it is a risk of cultural environment. Indeed, Chinese film is confronting some challenges and threatens not only from Hollywood. Nevertheless, WTO and Hollywood are just providing an opportunity to refer. As for China, the domestic films must reform to themselves rather than imitating. More precisely, reformation is the only way to live and develop, otherwise, whether Hollywood entered into China or not, Chinese film has no way to go. Consequently, China should explore a kind of film industry and market which is suitable for the condition of China in terms of adapting Chinese politics, economics and cultural principles. The future of globalization not only means the choices of hegemony, but also obtains the equal rights of weakness. To some extent, the diversity of culture is the prerequisite of cultural vitality.